![]() ![]() Oh, that guitar sound is so funny it's not even Frippian. The aforementioned Eno track was the very first thing that came to mind as the the drum beat shuffled around with that damn groovy bassline bringing up the rear. So, returning to this album, take tracks like 'Change Yr Mind'. However, the environment of the track fits the theme of the rest of the album, as if it were in an entirely foreign, almost alien land. The song is pretty much devoid of reverb, making all the instruments acquire this quirky stacco- like movement as they dance around the track in single file. ![]() Take Eno's 'Over Fire Island' for example. The channeling of the works of Brian Eno are extremely clear on most of these tracks (which can only be a good thing, right? Yes, it is!), which straight away bridges the gap between expansive landscapes and the dancefloor. Well, here I don't quite know how to feel. In fact, I've always thought James Murphy clung to that clipped, razor- sharp production style to keep his albums in line with that 'in the moment' feeling you get from extensive dancing and shit.
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